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htein lin - the story so far
Exhibitions 2008
Solo Show Quest Gallery , Bath, UK 14 May-6 July
Solo Show 'Htein Lin: Recycled', Coningsby Gallery , 30 Tottenham Street London W1, 18-23 August
Turin, Italy 20 October - 5 November
2008 Media coverage
Irrawaddy Magazine, 15 July
Time magazine, May 2008
Arts of Asia May-Jun 2008
CNN Online, April 2008
The Works, Hong Kong TV, 1 April (Scroll to the bottom for the windows media player or real player link)
South China Morning Post, 23 March
NY Arts (March-April 2008)
Democratic Voice of Burma TV (Burmese), 14 March, Part 2 of News (after 45 secs) (see DVBTV on YouTube), and performance 'Yes or No'
Irrawaddy Magazine (Burmese), 17 March
Inside Time (UK prison magazine), January
Himal Magazine, February, March
Drome Magazine (Jan-Mar 08)
2007 Media Coverage
BBCTV4, World Service TV 25Jul07 (video)
Coolhunter The Times, 21Jul07
Myanmar Times 23-29Jul07
New Statesman 26Jul07
Sunday Times 29Jul07
MyVillage.com
Guardian Weekly 1Aug07
The Economist 2Aug07
El Pais 4Aug07
New York Times 13Aug07
International Herald Tribune 13Aug07
Il Manifesto 14Aug07
Channel 4 News 21Aug07
Voice of America TV,29Aug07
Time Out (Exhibition of the Week), 31Aug07
Microsoft News Network
Channel 4 News,27Sept07 (on the current crisis)
Mladina (Slovenian) 29Sep07
Work with Barrowhill Junior School
Ham and High 4Oct07
Reformatorisch Dagblad (NL) 8Oct07
Radio Netherlands 26Oct07
Htein Lin was born in 1966 in Mezaligon, a village north of Henzada in Burma’s northern Irrawaddy Delta, where his family owned a small sawmill. He began painting and performing while still at school, and continued at Rangoon University while studying for a law degree, a subject he chose for its performance possibilities. In March 1988, he was one of a number of Rangoon University students who were expelled for protesting the authorities’ failure to properly investigate the death of fellow student Phone Maw. These protests were the first step that led to the ‘democracy spring’ in August/September 1988 that preceded the clampdown by the military that remain in power today.
After leading the protests in Mezaligon during that period, Htein Lin joined many other activists and fled to the Indian border where he joined the All Burma Students’ Democratic Front (ABDSF). While in exile he studied painting for a couple of months under Mandalay artist Sitt Nyein Aye, and illustrated the ABSDF’s publications. In 1990 the Indian government informed the ABSDF that they could no longer stay on Indian territory if they carried arms. Htein Lin left for an ABSDF camp inside Burma which was shortly afterwards overrun by the Burmese army. Carrying a typewriter, Htein Lin crossed the jungles of Northern Burma to join their comrades in Kachin State on the Chinese border, using a stick to draw in the mud during breaks in the journey.
Only about twenty of them survived the journey. In late 1991, he was caught up in the internal conflicts in the ABSDF and along with 80 fellow students he was imprisoned and tortured for allegedly being an informer. Some 20 of his comrades were summarily executed on 12 February 1992 or died from torture. The others were kept in captivity for seven months, until they escaped to China, where they were caught and handed back to the Burmese military government. They were permitted to officially ‘surrender’ and Htein Lin resumed his L.L.B. law course, graduating in 1994.
Rather than continue in law, he worked as an artist and comic film actor, and pioneered modern performance art in Burma with ‘The Little Worm in the Ear’, a street performance in downtown Yangon (1996) and ‘Guitarist’ (1996). His first solo exhibitions were held in 1996 and 1997 in Rangoon (Yangon) and he participated in several group shows.
In 1998, he was arrested and sentenced to 7 years imprisonment, charged on the basis of an intercepted letter from an erstwhile 'comrade' which listed names of those to be contacted to see if they were still interested in opposition activity. He was unaware of the letter until his arrest. After sentence, he was transferred to Mandalay Jail, where he was forced to improvise to continue painting. Using the white cotton prison uniform as a canvas, he paid for paints to be smuggled into the jail. In the absence of brushes, he used his fingers, cigarette lighters, syringes, carved soap, and dinner plates to make his mark. In Mandalay he performed a piece ‘0 + 0 + 0 = 0’ (1999) for the amusement of his fellow prisoners.
Conditions in Mandalay jail were particularly harsh, and in 2000 political prisoners in protested for better conditions, including in Htein Lin’s case, the right to paint. The protesters were beaten and dispersed to other jails and he was sent to Myaungmya in the Irrawaddy Delta, a small town where George Orwell spent three miserable months on his first posting as a colonial police officer. Htein Lin was punished with seven months spent in solitary confinement on death row in the jail, built by the British in 1900. Happily conditions in Myaungmya were not as bad as Mandalay for most of the time, and it was not far from his hometown. Once out of solitary he continued to paint, using the same techniques and materials he had developed in Mandalay |